Ellis, perhaps for a long time trying to find happiness at the dance, surviving on meager income working part time at saligny traders on weekends, if not for the decision of the elder sister, speculate overseas pastor who had organized the young girl a ticket to the New world, financially supporting her at first and then, later, when even modest Affairs that took up their education, entering the interest and the taste.
So this movie, contrary to many versions, not romantic, but pragmatic and nonetheless, life-affirming story of realizing the dream of personal happiness under the cover of well known American dream, which was pushed here away, in a remote corner, leaving space in the foreground of external and internal transformation of a modest girl, to meet, finally someone who was able to appreciate it.
To estimate the costs and Sirsa Ronan, the heroine of which is destined to survive more than one series change the way I look at life and many sovetami, who will meet her on the way, on the ship's deck or in a residential guest house, each with its own lessons and insights, making her wiser, step by step and little by little, from one episode to another in the company of great Actresses and actors, in the face of the charming Julie Walters and Jim Broadbent, which for full happiness need is just one moment.
In the film a lot of different moments and, almost every artist here has something to say, having either a short monologue or a few caustic remarks, sufficient for a few characteristic strokes, clarifying the current case and the fate of the past, clearly, vividly and clearly, as, indeed, all the surrounding subject environment, from bright dresses to krutoborka car, at certain angles the acquiring openly postcard view, drawn from the perspective of Manhattan, Ellis opens the door of the immigration office on the island, which bears, that's a coincidence, the name Ellis.
Oh, no, no matter how key the position of the girl — adventurer, her life is only a part of the multilateral composition, which is placed Ellis fell in love with the hunky Tony, it left behind a mother and sister whose value suddenly increases towards the finale of this film appear to be serious ethical and moral challenge for already experienced heroine Sersi Ronan that life takes another sharp turn, bringing the story to a peak of emotional tension, when the girl has to decide who to be or not to be.
And at this point makes clear the importance of all preceding lyrics, Ellis rendezvous with Tony, in which he found himself restrained restrained Emory Cohen, her enthusiastic eyes, his slow careful articulation, a family dinner, the simple chatter of the girls were friends and childish sincerity of the young genius, hesitation indecision, doubt and a long pause, before saying emphatically: "Yes!".
Another point — when pragmatic becomes obvious the idea of a single mother trying to make daughter's life in order to arrange their building the combination of nonrandom meetings and networking, bringing the right people and opening wide horizons, circling the head with happiness and delight, knocking the feet, all the while stumbling about the thought of Tony, with whom she had no earthly persuasion.
See, there was another one, but as it seems, with his calculation, putting eyes on the one that bloomed not with him, again returning thought to the pragmatism of this story, where only a few words in a direct quote about love, but the whole point of the correctness of the choices made and the relativity of good fortune that has come is not here now, the depth is in the powerful spurt made by the girl Ellis who knows the price yourself and people, brilliantly upsetting villains, finding that the reliability, which opened the way to her sister, the role and place which begins to be perceived very differently in the light of the selfishness of individuals.
Hence instantly highlighted caveat: sister gave Ellis the life that I wanted, but could not live with myself, that comes not only insight behind the curtain of this play, a big part of gaining power as kemeronovskoy "Titanic" leaking on the ship called "Brooklyn", instead of a catastrophe in the finale when faced with a real explosion of passion Balzac, worthy of brilliant novels of the great French classics.
So this movie, contrary to many versions, not romantic, but pragmatic and nonetheless, life-affirming story of realizing the dream of personal happiness under the cover of well known American dream, which was pushed here away, in a remote corner, leaving space in the foreground of external and internal transformation of a modest girl, to meet, finally someone who was able to appreciate it.
To estimate the costs and Sirsa Ronan, the heroine of which is destined to survive more than one series change the way I look at life and many sovetami, who will meet her on the way, on the ship's deck or in a residential guest house, each with its own lessons and insights, making her wiser, step by step and little by little, from one episode to another in the company of great Actresses and actors, in the face of the charming Julie Walters and Jim Broadbent, which for full happiness need is just one moment.
In the film a lot of different moments and, almost every artist here has something to say, having either a short monologue or a few caustic remarks, sufficient for a few characteristic strokes, clarifying the current case and the fate of the past, clearly, vividly and clearly, as, indeed, all the surrounding subject environment, from bright dresses to krutoborka car, at certain angles the acquiring openly postcard view, drawn from the perspective of Manhattan, Ellis opens the door of the immigration office on the island, which bears, that's a coincidence, the name Ellis.
Oh, no, no matter how key the position of the girl — adventurer, her life is only a part of the multilateral composition, which is placed Ellis fell in love with the hunky Tony, it left behind a mother and sister whose value suddenly increases towards the finale of this film appear to be serious ethical and moral challenge for already experienced heroine Sersi Ronan that life takes another sharp turn, bringing the story to a peak of emotional tension, when the girl has to decide who to be or not to be.
And at this point makes clear the importance of all preceding lyrics, Ellis rendezvous with Tony, in which he found himself restrained restrained Emory Cohen, her enthusiastic eyes, his slow careful articulation, a family dinner, the simple chatter of the girls were friends and childish sincerity of the young genius, hesitation indecision, doubt and a long pause, before saying emphatically: "Yes!".
Another point — when pragmatic becomes obvious the idea of a single mother trying to make daughter's life in order to arrange their building the combination of nonrandom meetings and networking, bringing the right people and opening wide horizons, circling the head with happiness and delight, knocking the feet, all the while stumbling about the thought of Tony, with whom she had no earthly persuasion.
See, there was another one, but as it seems, with his calculation, putting eyes on the one that bloomed not with him, again returning thought to the pragmatism of this story, where only a few words in a direct quote about love, but the whole point of the correctness of the choices made and the relativity of good fortune that has come is not here now, the depth is in the powerful spurt made by the girl Ellis who knows the price yourself and people, brilliantly upsetting villains, finding that the reliability, which opened the way to her sister, the role and place which begins to be perceived very differently in the light of the selfishness of individuals.
Hence instantly highlighted caveat: sister gave Ellis the life that I wanted, but could not live with myself, that comes not only insight behind the curtain of this play, a big part of gaining power as kemeronovskoy "Titanic" leaking on the ship called "Brooklyn", instead of a catastrophe in the finale when faced with a real explosion of passion Balzac, worthy of brilliant novels of the great French classics.
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