Wonderful film turned Mike van Dima. In the best sense of the word. Picture instead a whole palette of genres - not new to cinema. But a combination of Dutch filmmaker was particularly do not like everything I've seen before.
And even more original Van Dima turned build overflowing genre of one another in almost every episode where the mood swings can be predicted, and sometimes even seemingly malosochetaemye sentiment in a number of scenes are parallel. And no one genre, with its variations in the "surprise" does not occupy a dominant place, all on an equal footing, except that the black humor - very juicy and slightly stands out.
Home dramatic line focuses on millionaire Jacob, who by virtue of both objective and subjective reasons, closed for many years, and almost passionless bezemotsionalen, while at the same time honest and decent in its own kind. But his life is boring and uninteresting, so he decides to find out quickly that there, beyond. And the organization is ready to help. Here also comes into its own well-trained and well-fed black humor interspersed with hard banter. Scene call Jacob and director of the aforementioned offices - in this regard just a role model, so everything here is well supplied, shot and played. And when it comes to choosing a coffin dating and missed the death of millionaire Anna - it is absolutely something beyond! The apotheosis, in my opinion, can serve the desire of Anna to be buried in a clean tomb (one wonders, do not you .... Anyway?).
And this is just one of the scenes. Then go no less dangerous mix of black humor and good old comedy with paranoia when heroes, choose death, surprise, will haunt killers around every corner, and in the most unexpected places. And then start the same recognizable romance, thank God, not with candied pink snot plus zero intelligence, and quite sincere, solid, knowing his worth feelings of the characters. At the same time, it is not going anywhere and humor, and seasoning it all quasi- history, where intrigue and tension does not subside until the very end. Even the chase with shots of a place. Well, the psychological drama of human relationships still will be felt some very good episodes. Dialogues in the film perfectly thought out, not a single superfluous word and gesture. Where necessary - lyrical and sentimental, and where necessary - almost ridiculous to colic. Do not forget about the tragicomedy that is in complete disbelief: you are joking, punched on a tear, or both at once?
All this is supported by fireworks good acting. Jeroen van Koningsbrugge plays Jacob, maybe without some strong anguish, but very expressive and convincing. His trust and character, willy-nilly remember he came from Jeroen identity. And originality. Success makes him a pair of Georgina Verbaan - very cute and charming.
In addition to them, they liked Ian Dekler as Kornalda butler, Henry Goodman and promoted the role of Mr. Jones.
Sensitively caught all these genres and moods play of Brian Byrne, who wrote in a good strong picture soundtrack.
If, after viewing the film van Dima about something and regret, only that in a day is not 48 hours and you can not grasp the immensity. In particular, a closer look at the cinema of the Netherlands, where, even if judged by the same "surprise", a sufficiently good screenwriters, directors and have a good acting school level .. But that's recently viewed picture "Heineken Kidnapping" in 2011 to remember where the same actor work was very good. Similarly - in a recent co-production, yet again about the kidnapping of Heineken (we are, of course, is not about Hopkins, Worthington and Stёrdzhesse). In the future we plan to drop in as often as possible in the Dutch cinema. I think it will still than my surprise and please.
A "surprise" 10 points and unambiguously - to your favorites! A masterpiece! Maybe not too showy and pretentious in shape, but - on the content - is impeccable: Dima Van and the company managed it all.
And even more original Van Dima turned build overflowing genre of one another in almost every episode where the mood swings can be predicted, and sometimes even seemingly malosochetaemye sentiment in a number of scenes are parallel. And no one genre, with its variations in the "surprise" does not occupy a dominant place, all on an equal footing, except that the black humor - very juicy and slightly stands out.
Home dramatic line focuses on millionaire Jacob, who by virtue of both objective and subjective reasons, closed for many years, and almost passionless bezemotsionalen, while at the same time honest and decent in its own kind. But his life is boring and uninteresting, so he decides to find out quickly that there, beyond. And the organization is ready to help. Here also comes into its own well-trained and well-fed black humor interspersed with hard banter. Scene call Jacob and director of the aforementioned offices - in this regard just a role model, so everything here is well supplied, shot and played. And when it comes to choosing a coffin dating and missed the death of millionaire Anna - it is absolutely something beyond! The apotheosis, in my opinion, can serve the desire of Anna to be buried in a clean tomb (one wonders, do not you .... Anyway?).
And this is just one of the scenes. Then go no less dangerous mix of black humor and good old comedy with paranoia when heroes, choose death, surprise, will haunt killers around every corner, and in the most unexpected places. And then start the same recognizable romance, thank God, not with candied pink snot plus zero intelligence, and quite sincere, solid, knowing his worth feelings of the characters. At the same time, it is not going anywhere and humor, and seasoning it all quasi- history, where intrigue and tension does not subside until the very end. Even the chase with shots of a place. Well, the psychological drama of human relationships still will be felt some very good episodes. Dialogues in the film perfectly thought out, not a single superfluous word and gesture. Where necessary - lyrical and sentimental, and where necessary - almost ridiculous to colic. Do not forget about the tragicomedy that is in complete disbelief: you are joking, punched on a tear, or both at once?
All this is supported by fireworks good acting. Jeroen van Koningsbrugge plays Jacob, maybe without some strong anguish, but very expressive and convincing. His trust and character, willy-nilly remember he came from Jeroen identity. And originality. Success makes him a pair of Georgina Verbaan - very cute and charming.
In addition to them, they liked Ian Dekler as Kornalda butler, Henry Goodman and promoted the role of Mr. Jones.
Sensitively caught all these genres and moods play of Brian Byrne, who wrote in a good strong picture soundtrack.
If, after viewing the film van Dima about something and regret, only that in a day is not 48 hours and you can not grasp the immensity. In particular, a closer look at the cinema of the Netherlands, where, even if judged by the same "surprise", a sufficiently good screenwriters, directors and have a good acting school level .. But that's recently viewed picture "Heineken Kidnapping" in 2011 to remember where the same actor work was very good. Similarly - in a recent co-production, yet again about the kidnapping of Heineken (we are, of course, is not about Hopkins, Worthington and Stёrdzhesse). In the future we plan to drop in as often as possible in the Dutch cinema. I think it will still than my surprise and please.
A "surprise" 10 points and unambiguously - to your favorites! A masterpiece! Maybe not too showy and pretentious in shape, but - on the content - is impeccable: Dima Van and the company managed it all.
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