Irrational Man.

There are entertaining movies on which long and laboriously the team of professionals and which are based on unexpected turns and clumsy trouble-free jokes works. After one of such and to answer a question: "about what cinema?" there is nothing.

And there are author's pictures which are created for expression of views and which are presented in the entertaining format easy and direct.

The entertaining format with which the Irrational person is invested is the eternal dry bouquet from philosophers collected by Woody Allen in early movies; the nature in all beauty which is so vividly transferred; a condition of general fun, and, at last, invariable cheerfulness which was embodied in Jill.



And here about what there was a cinema? Obviously that all of us are egoists. No, not only that judge, and Jill, Abe, Rita and all others. It is one of the favourite subjects appearing in the latest works of Woody Allen (with breaks on romanticism as the movie "Magic of a Moonlight").

The unworthy person could be anyone by profession, but Woody Allen has chosen refereeing, and from it the movie becomes many times more ridiculous. The judge by profession, doesn't hide the immense love to himself. And here the others, creating the visibility of care and an involvement but movable only by the desires, constantly undertake to judge, at the same time floundering in an eternal ethical dilemma — to estimate on acts or on intentions.

(Of course the movie was about existence, about meaning of life in her, about ethics and about what there was only no this movie.)

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The irrational person won't manage to kill other movies of Woody, but there are also special moments. Over the years his movies become more and more weightless and pleasant, this not an exception — the continuous movement, stylish people, beautiful views, excellent music … but behind it the old man a dandelion still looks down on you, even at the meter 65.

Good and very pleasant movie.